"The Wind in the Willows" in La Crosse

This past Saturday I had the opportunity to drive down to La Crosse, Wisconsin to see a production of my adaptation of The Wind in the Willows put on by the La Crosse Community Theatre.  This was a youth production comprising a total of 39 kids on and off stage, ranging in age from 8 to 16.  And they did a beautiful job.  LCT just recently moved into a new space and they made great use of it.  The sets, lights, and costumes were all gorgeous and really helped created the world.  The cast too did a wonderful job.  I was impressed with the level of acting they demonstrated, from the loyal faithful Rat to the menacing Chief Weasel (who had perhaps the coolest costume) to the younger forest animals who through their transitions between scenes created the bustling river community.

The director, Rebecca Seflow Hartzell, was recently hired on at LCT to further develop their youth program and is clearly doing a great job.  The kids were responsible for areas behind the scenes as well, stage managing and running the light board, for example.  I think whenever you given kids this kind of ownership over the production they will rise up to the responsibility  They all took their roles seriously and it paid off in a polished production.

Rebecca and the theater's executive director David Kilpatrick invited me to do a talkback with the cast, crew, and audience after the show.  The kids all asked great questions (sometimes better than the answers I could think of!) ranging from how the show differed from what I had envisioned to how long it had taken to write to how I started writing plays in the first place.  They were a fantastic group and I appreciated how welcome everyone made me felt.  So congrats to everyone involved for a job very well done.  I hope it will not be the last time my words are brought to life in this theatre.   It really was a treat to see my play in such good hands.

Sometimes this is what a play looks like

Normally I'm not much of a plotter, not in the first draft, anyway.  Once I find the starting point of a story I like to follow where it leads and it can be a surprise to me too to discover how it ends.  Further drafts will of course then require a great deal of reshaping, but I've learned the advantage of having a lot of raw material to work with even when much of it will be later tossed aside.

Not so the mystery play I'm working on.  The first draft was loosely plotted, enough to get me to the end, but when I tried to make headway on the second draft I kept getting stuck, not knowing what needed to happen next.  After reading Christopher Vogler's The Writer's Journey I decided to apply the steps of the Hero's Journey to each of my six characters (there were originally seven, but strangely one never seemed to enter into the other characters' journeys and so we'll see how the play does without her).  After identifying the key moments for each character I wrote them down on post-it notes and then arranged then and re-arranged them until I had this:

I have to turn this into what???

This is a level of plotting I've never attempted before, but when I wove together the journeys of these six different characters I discovered holes I wouldn't have otherwise been aware of until I had tried to write the scenes.  Instead I was able to iron out many structural issues before setting down a single word.

Well.  Now I just have to write the thing.